Showing posts with label Angela Carter. Show all posts
Showing posts with label Angela Carter. Show all posts

Friday, 28 August 2015

The Erl King Key Gothic Quotes

perfect transparency must be impenetrable”
“vertical bars” “sulphur-yellow” “grey clouds”
“russet slime” “dead bracken” “lancinating cold”
“stark elders have an anorexic look”
“haunting sense of the imminent cessation of being”
“The woods enclose.” “the wood swallows you up”
“you must stay there until it lets you out again” “subtle labyrinth”
“she will be trapped in her own illusion” “here everything is exactly as it seems”
“the woods enclose then enclose again, like a system of Chinese boxes”
“it is easy to lose yourself in these woods”
“as if my girlish and delicious loneliness had been made into sound”
“I felt I was in a house of nets”
(isolated line) “Erl-King will do you grievous harm.”
“as desolate as if it came from the throat of the last bird alive”
“wild things, who have all the time in the world”
“reddish hare” “rusty fox” “trunk of a scarlet rowan”
“uncanny whiteness” “gleaming like a goat of snow” “bleated softly”

“his irrevocable hand” “there are some eyes that can eat you”
“he came alive from the desire of the woods”
“the brambles, he says the Devil spits on them at Michaelmas”
“he knows all about the wood and the creatures in it” (repetition of) “he told me”
“he said the owl was a baker’s daughter; then, he smiled at me”
“his kitchen shakes and shivers with birdsong from cage upon cage of singing birds”
“a wall of trapped birds” “How cruel it is, to keep wild birds in cages!”
“white, pointed teeth” “a sweet, acrid smoke, a bright, glancing flame”
“I always go to the Erl-King” “I lie at the mercy of his huge hands”
“He is the tender butcher who showed me that the price of flesh is love; skin the rabbit, he says!”
“those silly, fat, trusting woodies with the pretty wedding rings around their necks”
“the cold air that blows over graveyards always goes with him” “I am not afraid of him”
“he could thrust me into the seed-bed of the next generation” “until he whistled me up from my darkness”
“I come, like any other trusting thing that perches on the crook of his wrist”
“dead leaves, some the colour of honey, some the colour of cinders”
“that was the way I walked into the bird-haunted solitude of the Erl-King”
“rattle of the rain on the roof”
“I feel your sharp teeth in the subaqueous depths of your kisses”
“How sweet I roamed, or rather, used to roam”
“he drew me towards him on his magic lasso of inhuman music”
“if I strung that old fiddle with your hair” “better music than the shrill prothalamions of of the larks stacked in pretty cages”
“he strips me to my last nakedness” “dresses me again in an embrace so lucid and encompassing it might be made of water”
“we are like two halves of a seed” “I should like to grow enormously small, so that you could swallow me”
“his touch both consoles and devastates me” “I feel my heart pulse, then wither”
“this innocent” “eat me, drink me”
“his dress of water, this garment that drenches me [...] its capacity for drowning”
“such appalling succulence”
“the light from the fire sucked into the black vortex of his eye”
“eyes as green as apples. Green as dead sea fruit.”
“what big eyes you have”

“I am afraid I will be trapped in it forever”
“I will be drawn down into that black whirlpool and consumed by you”
“I have seen the cage you are weaving for me” “terrible fear”
“I loved him with all my heart yet I had no desire to join the whistling congregation”
“his embraces were his enticements, and yet, oh yet! They were the branches of which the trap itself was woven”
“I don’t know what tunes you might play on it, if it was strung again”
“the birds don’t sing, they only cry” “the corrosive pools of his regard”
“I shall” “as he lies half dreaming, half waking”
“with hands as gentle as rain, I will strangle him with them”
“then she will open all the cages” “they will change back into young girls” “each with the crimson imprint of his love-bite on their throats”
“discordant music without a hand touching it”
“the bow will dance over the strings of its own accord”
“they will cry out, “Mother, mother, you have murdered me!”

NOTE: I didn't learn all of these for the exam, neither should this be considered a total, complete list. Just a handy selection of quotes that I found covered most of the main themes of The Erl Kin by Angela Carter!

Tuesday, 25 August 2015

The Lady of the House of Love Quotes by Key Gothic Themes

The Bloody Chamber - The Lady of the House of Love

DEPICTIONS OF EVIL/GOOD
Ancestors:
“subtle and vindictive inhabitants”
“demented and atrocious ancestors” “blubber lips” “demented eyes”
The Countess:
“queen of the vampires”
“white lace neglige stained a little with blood”
“teeth as fine and white as spikes of spun sugar”
“my darkness” “I thought, perhaps, you might irradiate it”
The Hero:
“youth and strength and blond beauty” “pentacle of his virginity”
“immune to shadow, due to his virginity”
“his heroism, which makes him like the sun” “he cannot feel terror”
(isol line) “This lack of imagination gives heroism to the hero”
“he would like to take her into his arms and protect her”

SUPERNATURAL
“sobbing in a derelict bedroom where a cracked mirror … does not reflect a presence”
“ghostly occupants”
“her voice is curiously disembodied” “like a doll” “ventriloquist’s doll” “great, ingenious piece of clockwork”
“no mouth with which to kiss, no hands with which to caress, only the fangs and talons of a beast of prey”
“fundamental disbelief”
“petals had regained all their former bloom”

PSYCHOLOGICAL DISTORTION
“the blood on the Countess’ cheeks will be mixed with tears”
“brusquely reminded himself that he was no child, now”
“he sharply reprimanded himself for his own childish lack of enthusiasm”

HORROR AND TERROR
“hereditary commandant of the army of shadows” “who make the milk curdle”
“What a grisly picture of a capering skeleton!”
“fatal embrace” “the bridegroom bleeds on my inverted marriage bed”
“monstrous flower” “corrupt, brilliant, baleful splendour”

FORBIDDEN KNOWLEDGE
“their swooning odour, that breathes lasciviously of forbidden pleasures”
“ceaselessly construing a constellation of possibilities”
“he would dazzle her like the sun she is forbidden to look at”
“retaining all about you the golden light of summer’s day of which I know nothing, nothing”
“so fingered, so soiled, so worn” “no longer make the image out on any single one of them”

FRIGHTENING ATMOSPHERE AND IMAGES
“too many shadows” “shadows” x2
“centuries of corpses” “last bud of the poison tree”
“blast of rich, faintly corrupt sweetness strong enough, almost, to fell him”
“too many roses. too many roses bloomed” “remains”

DRAMATIC TENSION
“now you are at the place of annihilation” x4
“it was too late to turn back”
“does not yet know what there is to be afraid of”
“Suivez-moi, je vous attendais, vous serez ma proie”
“the handsome bicyclist, scarcely believing his luck, will follow her into her bedroom”
“she knows no other consummation than the only one she can give him”

MASCULINE/FEMININE
“perennial sadness of a girl who is both death and the maiden”
“beautiful and ghastly lady” “queen of night, queen of terror” “Countess” “horrible reluctance for the role”
“tenebrous belle”
“but now she is a woman, she must have men”
“she would like to caress their lean brown cheeks and stroke their ragged hair”
“the fragility of the skeleton of a moth, so thin, so frail”
“bedizened scarecrow” “lovely death’s head”
“shipwrecked bride” “huge dark eyes” “waiflike, lost look”
“extraordinarily fleshy mouth” “vibrant purplish-crimson” “morbid mouth”
“blond, blue-eyed, heavy-muscled”
“the special quality of virginity, most and least ambiguous of states” “power in potentia”

ENTRAPMENT
“she likes to hear it announce how it cannot escape

VAMPIRES/THE BEASTLY
“until she grows hungry, until she grows ravenous”
“her beauty is an abnormality, a deformity”
“symptom of her disorder, of her soullessness”
“sniff the air and howl” “on all fours” “crouching, quivering” “scent of her prey” “huntress” “poor night bird, poor butcher bird”

MURDER/DEATH/DAMNATION
“beautiful somnambulist helplessly perpetuates her ancestral crimes”
“a cave full of echoes, she is a system of repetitions, she is a closed circuit”
“her inevitable Tarot”
“visible signs of the destiny she wistfully attempts to evade”
“constantly constructing hypotheses about a future which is irreversible”
“you will follow her”
“history has already prepared a special, exemplary fate in the trenches of France”
“I am condemned to solitude and dark; I do not mean to hurt you” (2nd part x2)

INTERTEXTUALITY
La Papesse, La Mort, La Tour Abolie, wisdom, death, dissolution”
“a single kiss woke up the Sleeping Beauty in the Wood”
“Les Amoureux. Never, never before… never before has the Countess cast herself a fate involving love”
“curiouser and curiouser”
“(One kiss, however, and only one, woke up the Sleeping Beauty in the Wood)”

GOTHIC SENSATIONALISM VS REALISM (Sensationalism: lust, horror, disgust, shock, opposite of sentimentalism)
“somehow obscene in their excess” “outrageous in their implications”
“protection against superstitious fears” “pure reason applied to motion”
“two-wheeled symbol of rationality vanish into the dark entrails of the mansion”

LIMINALITY
“the path too steep to ride” “hungry, thirsty, weary, dusty”
“a hand of love and death”
“delicate and damned”
“the mysterious solitude of ambiguous states”
“she hovers in a no-man’s land between life and death, sleeping and waking”
“special quality of virginity, most and least ambiguous of states”

TRANSFORMATIONS
‘Can a bird sing only the song it knows or can it learn a new song?’ x2
“(And could love free me from the shadows?)”
“light and air streamed in; now you could see how tawdry it all was”
“its ecstatic morning song” “up and away into the clear blue bowl of the heavens”
“clinic” “eye specialist” “dentist” “manicurist”
“we shall turn her into the lovely girl she is; I shall cure her of all these nightmares”
“the end of exile is the end of being”
“far older, less beautiful, and so, for the first time, fully human”
“I will vanish in the morning light; I was only an invention of darkness”

SETTINGS
“dark red figured wallpaper is obscurely, distressingly patterned by the rain”
“this ornate and rotting place” “mistress of all this disintegration notices nothing”
“resemblance to a burial ground” “a huge, spiked wall that incarcerates her”
“the Countess’ larder”
“beauty of the flaming sunset” “bright, clear water”
“subtle and haunting light” “immense, rambling, a dilapidated eagle’s nest”
“the dark portals of the fatal castle”
“ritual” “wicked spell” “vile and murderous room”

NOTE: I didn't learn all of these for the exam, neither should this be considered a total, complete list. Just a handy selection of quotes that I found covered most of the main themes of The Lady of The House of Love by Angela Carter!